NAMO NARAYANA
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- sri:
- srimate ramanujaya
namah:
- sri padmavati
sametha sri srinivasa parabrahmane namah:
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-
-
- Sri Venkatesa
Suprabhatham
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- by
- Sri U.Ve Varadachari
Sadagopan
-
-
-
- The Sri VenkatEsa SuprabhAtham
composed by Sri PrathivAdhi Bhayankaram ANNA is a splendid Sri
Sookthi that is recited every morning in front of the
- Sayana Mantapam at Thirumalai.
This was composed by Sri ANNA at the
- request of his AchAryan
, Sri MaNavALa MaamunigaL . The divine inspiration for ANNaganrAryA
came from ThoNDardippoDi AzhwAr's ThirupaLLyezucchi Paasurams
and some of GodhA Piratti's ThiruppAvai Paasurams .
-
- There are 29 slOkams
in this SuprabhAtham composed by ANNangarAryA for ThiruvEnkata-
mudayAn . AdiyEN would give the general meaning for the individual
slOkams and add brief comments on them .May Lord SrinivAsan
- bless this Kaimkaryam
!
-
-
- The structure
of Sri Venkatesa SuprabhAtham
-
 *
- A view of
Ananda nilaya Vimanam
-
- In the first slOkam
, the Lord of ThiruvEnkatam is awakened as Sri Raama - chandran
( KousalyA Suprajai) and in the second slOkam as Govindhan;
- The third and the fourth
slOkams awaken Sri MahA Lakshmi. From the fifth
- slOkam onwards ThriuvEnkatamudayAn
is awakened .
-
- In the fifth and the
sixth slOkams , the arrival of sages like Adhri and Gods
- like Paramasivan to
participate in the SuprabhAtha darsanam of the Lord of
- seven hills is described.
-
- The seventh focuses
on the fragrant , morning breeze and the eighth
- covers the parrots in
house cages bestirring themselves .
-
- The tenth slokam talks
about Sage Naaradha playing deva ghAnam in
- praise of the Lord.
The tenth verse describes the bees emerging from
- their flower beds to
be of service to the Lord.
-
- The eleventh verse takes
us to morning activities in the house of
- cowherds , where churning
for the curds is taking place.
-
- The twelfth slOkam reverts
to the bustle of the bees competing with
- the blue lotuses to
settle the issue of who has a better blue hue.
-
- The thirteenth slOkam
is a naamAvaLi of the great Lord of ThiruvEnkatam.
-
- The fourteenth slOkam
describes the devAs and demi-gods waiting
- eagerly to enter the
ardhamantapam to join in the suprabhAtham function.
- The fifteenth slOkam
lists the seven hills associated with the Lord.
- The sixteenth talks
about the different Lords of directions
- (Dhig PaalakAs) jostling
to get into the temple.
- The seventeenth slOkam
is about nithyasooris like Garudan,
- AdhisEshan waiting to
perform Kaimkaryam for their Lord.
-
- The eighteenth slOkam
focuses on the nava grahams waiting for the
- darsanam of the Lord.
-
- The ninteenth slOkam
refers to the navagrahams looking for
- oportunities to perform
Bhaagavatha Kaimkaryam as a way to
- gain the approbation
of their Lord.
-
- The twentieth slOkam
recalls the power of Gopura darsanam
- at Thiruppathi.
-
- The tweny first to the
twenty third slOkams are beautiful naamAnjalis
- to the Lord to cajole
Him to awaken and bless the world .
-
- The twenty fourth slOkam
is a celebration of ThiruvenkatamudayAn
- as dasAvatharan .
-
- The twenty fifth slOkam
deals with the kaimkaryaparALs
engaged in carrying the Thirumanjana theertham.
-
- The twenty sixth slOkam
covers the scene of Sri VaishNavAs
- waiting to perform mangaLAsAsanam
for the Lord.
-
- The twenty eighth slOkam
describes the Gods and the great Yogis (Sanaka-SanathkumArALs)waiting
in the forecourt with auspicious
- objects needed for the
suprabhAtham in their hands.
- The twenty eighth slOkam
is a beautiful assembly of the NaamAs
- of the Lord invoking
Him to awaken and bless the world.
-
- The twenty ninth verse
is the Phala sruthi slOkam listing the benefits
- of reciting this auspicious
SuprabhAtham of Lord venkatEsA .
-
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