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NAMO NARAYANA

 
INDEX TABLE
 
Samarpanam
 
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Foreword
 
Customs of the
Tirupati Temple
 
Sri Padmavati Thirukalyanam
 
Brahmotsavam
 
Devotees of
Sri Venkateswara
 
Alvar Pasurams
 
Suprabatham
 
Stotram
 
Prapatthi
 
Mangalam
 
Daya Shatakam
 
Annamacharya Krithis (poems)
 
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sri:
srimate ramanujaya namah:
sri padmavati sametha sri srinivasa parabrahmane namah:
 

Daya Shatakam
by
Sri U.Ve.Varadachari Sadagopan
 
 
Sri Venkateswara with Ubhaya Nachiyars*
 
 
In the very first sloka , Swami Desikan states precisely his goal in composing this Grantham and describes the object of his salutations this way:
 
PRAPATHYEH TAM GIRIM PRAAYA:
SRINIVAASAANUKAMPAYAA I
IKSHUSAARA SRAVANTHYEVA
YANMOORTHYAA SARKARAAYITAM II
 
Here he compares the Lord"s Dhayaa as the sweet flowing river of Cane sugar juice,which has solidified to become the mountain of Thiruvenkatam. Swami States that he offers his Prapatti to that mountain, which has become the embodiment of the Lord"s Dhayaa .The first theme covered by the first ten
slokas revolves around the fact that the Lord of Thiruvenkatam (SravaNa Venkatesan ) is eminently suitable for worship and adoration.The reason is that He is an ocean of Mercy (Dhayaa).He serves as the treasure for those , who have no riches to speak of . He is the field out of which grows the four fruits of human life (Purushaarthams). That concept of blemish-free mercy makes Him the supreme object of contemplation and worship as described below:
 
AKINCHANA NIDHIM SOOTHIMAPAVARGHA TRIVARGAYOH :
ANJANAADHRI ISWARA ABHISHTOWMI NIRANJANAAM
 
The above sloka is the last of the first group of ten. In earlier verses, Swami desikan offers his salutations to Guru Paramparaa and Azhwaars. In the beautiful second verse , he says:
 
vigaahe teertha bhauLaam seethaLAm guru Santathim I
Srinivasa Dhayaambhodhi pareevaha paramparaam II
 
The key words are: SeethaLAm Guru santathim Srinivasa Dhayaambhodhi Pareevaha ParamparaamVigaahe . He says that he immerses in the cool waters
of the flowing stream of Guru Parampara that originated from the ocean of Mercy known as Srinivasa.
 
The SECOND essential theme of Dhayaa sathakam is that Sri Venkateswara is eminently enjoyable in terms of Bhagavat Anubhavam .This theme is met in
Sloka 19 :
 
ROOTAA VRUSHACHALA PATEH:
PAADEH MUKA KANTHI PATRALACCHAAYAA
KARUNEH SUKAYASI VINATAAN
KATAKSHA VITAPAI: KARAAPACHEYA PALAI:
 
Here, Swami desikan says that Dhayaa Devi is standing tall in Thirumalai representing the merciful aspect of Sri Venkateswara. She grows at the feet of the Lord of Venkatam and serves as His kalpaka tree that fulfills the wishes of those who pray to Him. His cool glances at the sight of His devotees cause the tree of Dhayaa Devi to send out tender shoots and ripe tasty fruits. Those, who worship at the sannidhi of Sri Venkateswara become beneficiaries of His Dhaya and enjoy the fruits of that Kalpaka tree. Hence, Swami Desikan says that the Karunaa Katakshams of the Lord of Thiruvenkatam yield indescribable riches to the devotees . His Dhaya makes Him eminently enjoyable
 
The THIRD essential theme of Dhayaa Satakam is that He has the most beautiful Divya Mangala Vigraham and to feast on Him with our eyes is equivalent to tasting the divine nectar. The sloka corresponding to this theme is
as follows:
 
KALASODHODHITI SAMPADHO BHAVATHYAA:
KARUNEH SANMATHI MANTHA SAMSKRUTHAAYAA :
AMRUTAAMSA MAVAIMI DIVYA DEHAM
MRUTHA SANJEEVANAM ANJANAACHALA INDOH :
 
Here, Swami Desikan says that the churning of the Ocean of Dhaya of Sri Venkatesa yields the nectar, which is the divine and auspicious vigraham of Srinivasan. That Vigraham made entirely of Suddha Satvam is standing on top of
Thirumalai. This most beautiful Archaa Vigraham removes the fear of Yama to Prapannaas and gurantees them the fruits of Moksham. Such is the power of this auspicious and beautiful Archaa Murthy of the seven hills.
 
The FOURTH essential theme of Dhayaa satakam is that the Sri Venkatesa concept is the most delectable experience to enjoy among all delectable experiences that the human beings can hope to enjoy . His blue effulgence radiating from the top of Thirumala hills and its sacred associations provide
the richest item for the enjoyment of the chetanas . Here, the divya Mangala Vigraham is not the object of reference , but the holiness of the Venkateswara Tattwam , which is the highest concept that Vedas can proclaim. The sloka corresponding to this theme is as follows:
 
PARIMITA PALASANGHAATH PRAANINA: KIMPACHAANAA:
NIGAMA VIPANI MADHYEH NITYA MUKTAANUSHAKTHAM
PRASADANAMANUKAMPEH PRAAPTAVATYAA BHAVATYAA
VRUSHAGIRI HARINEELAM VYANJITHAM NIRVASANTHI
 
The FIFTH central theme is about the blessings that one accrues form the Kataksham of Srinivasan of Thirumalai. Swami Desikan says that the auspiciousness of that glance can result in freedom from the three debts that human beings are subject to in this world. These three debts are to Devas, Rishis
and one's ancestors(Pithrus). Normally, one gets rid of these debts with great diffculty. The debt to the Devas is normally discharged thru the performance of Yagaas and the offering of Havis. The debt to Rishis is discharged through Veda Adhyayanam. The debt to the Pithrus is discharged thru progeny. These three
debts are instantaneously discharged by the mere glance of Sri Venkatesa resting for a moment on the Prapanna. The blessings arising form that merciful glance not only makes the Prapanna free from these three debts, but it also results in obtaining then boon of Moksham thru the Devayana path at the time of leaving this earth. Prior to that, the glances of Sri Venkatesa confer immense wealth in this universe. The sloka containing these thoughts is the fourty ninth verse of Dhayaa Satakam :
 
SREYA: SOOTHIM SAKRUTAPI DHAYEH
SAMMATHAAM YA: SAKEEM TEH
SEETHODHAARAA MALAPADHA JANA:
SRINIVAASASYA dHRUSHTIM I

DEVAADHEENAA MAYA MANRUNUTHAAM
DEHAVATTVEAPI VINDHAN
BHANDHAAN MUKTHO BALIBHIRANAGAI:
POORYATEH TATPRAYUKTHAI: II
 
The SIXTH central theme of the Satakam is that Lord Srinivasa is easy to approach thru Prapatti. Swami Desikan says through the following FIFTY NINTH sloka that the Bhakthi and Jnana Yogam are difficult to practise as means of Moksham compared to Prapatti at the holy feet of Sri Srinivasa as taught by our Acharyas such as Ramanuja, Yamuna and others:
 
TVADHUDHAYA TOOLIKAABHIRAMUNAA
VRUSHASAILA JUSHAA
STHIRA CHARA SILPINAIVA PARIKALPITHA
CHITRADHIYA: I

YATIPAATHI YAAMUNA PRUBRIDHAYA:
PRATAYANTHI DHAYEH
JAGADHI HITAM NA NASTVAYI
BHARANYASANAAT ADHIKAM II
 
The SEVENTH central theme of Satakam states that His incomparable mercy removes any and every obstacle (Anishtam ) that a Prapanna faces on this earth. The slokam corresponding to this theme is as follows:
 
AKOOPAARAI REKODHAKA SAMAYA
VAITANDIKA JAVAI:
ANIRVAABHYAAM KSHIPRAM KSHAPAYITUM
AVIDHYAAKYAPATAPPAAM I

KRUPEH TVAM TATTAATRUK PRATHIMA
VRUSHA PRITHVEEDHARA PATHI -
SVARUPA DWAIGUNYA DVIGUNA NIJABINDHU :
PRABHAVASI II
 
The EIGTH central theme refers to His Kalyana gunam by which He accomodates Himself to the wishes of the Prapannas. Although He knows that
some of the desires of the Prapannas relate to the nonlasting ,perishable , trivial things , Sri Venkatesa gives them what they want . Later, He gives them
the knowledge and discriminative power to overcome the desire for perishable things and elevates their sight to the lasting concept such as Moksham. In other words, He goes along with the wishes of Prapanna first and then slowly helps them to set higher goals such as Nithya Kainkaryam and Kaivalyam. The sloka containing these thoughts is the seventy fifth Slokam of the Dhayaa satakam .
 
The ninth central theme relates to his sincere friendship out of His compassion for the Prapannas. His friendship does not count on any returns from the Prapannas.It is the most natural of all friendships.
 
The tenth central theme deals with Sri Venkateswara"s grace in leading the Prapannas in the Devayaana path to Srivaikuntam.In the 104th slokam . Swami Desikan acknowledges the glorious mercy of Sri Venkateswara in crowning him as "Vedanthaacharya" at the end of reciting Dhaya Sathakam. He states that he was just an instrument in the hands of the Lord of Thiruvenkatam in composing Dhaya sathakam. This slokam housing the Sattvika Thyagam is a gem:
 
VEDANTHA DESIKA PADEH VINIVESYA BAALAM
DEVO DHAYASATAKAM YETAT AVADHAAYAT MAAM
VAIHAARIKENA VIDHINAA SAMYEH GRUHITAM
VEENA VISESHAMIVA VENKATA SAIL NAATHA :
 
Kavithaarkika simhaaya Kalyana Gunasaalineh |
srimateh Venkatesaaya Vedantha guraveh Nama ||
 

Subhamasthu ,
Daasan
OppilA-appan Koil VaradAchAri Sadagopan
 
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